Historical heritage

Château Louise de La Vallière

Château Louise de La Vallière is located near the picturesque Loire Valley, close to the town of Reugny, France, and represents an exquisite example of 17th-century architecture. The château was built by Louis XIV for his renowned mistress, Louise de La Vallière.

The building ensemble is surrounded by 23 hectares of woodland, with the main approach passing through a ceremonial entrance gate, to which a dovecote tower is attached. In addition to the château itself—the oldest and dominant structure within the ensemble—five smaller buildings are located nearby. These were historically used as a stable, orangery, kitchen, barn, and storage facility. The estate also includes a classical French formal garden (jardin à la française) situated near the main building, as well as several more recent additions, including a swimming pool, a tennis court, and a parking area.

The task of our team was to transform the building ensemble from a private family residence into a luxury five-star hotel. The owners established authenticity and historical accuracy as guiding principles for all interventions, aiming to immerse guests in the spirit of the era.

Our work began with a detailed measured architectural survey and a series of meetings with the chief architect and the mayor of Reugny. We were particularly impressed by the well-structured system France has established for working with listed heritage buildings. The owners received from the municipality a list of licensed architects and selected one to prepare a condition assessment report of the château.

The report represented a thorough historical study, including detailed surveys and material analyses of all façade ornaments and their condition, along with precise guidelines for their restoration. It also clearly defined the permissible interventions within the building, which greatly facilitated our work on the conversion.

In the main building, we preserved the entrance hall and the two ground-floor salons, transforming them respectively into a hotel reception, a lounge with lobby bar, and a restaurant. The restaurant kitchen was located in an existing annex connected to the main château. On the second floor and within the attic space, we positioned some of the most luxurious rooms in the hotel.

In the buildings formerly used as the orangery and stable, we designed additional hotel rooms. The high-volume space of the former barn was transformed into a conference hall, while a storage building located in the most remote part of the complex now houses a luxury spa center.

From a structural perspective, the project required the removal of existing and the addition of new intermediate floor levels, as well as the construction of new staircases. A major challenge was the additional load from the newly constructed bathrooms, which would have overstressed the centuries-old wooden floor structures. This issue was resolved by structural engineer Yonko Kondarev through suspending the sanitary units from the roof structure. The roof itself was a remarkable example of craftsmanship and engineering ingenuity characteristic of the region and the period.

The hotel’s heating and ventilation systems were designed using a water-to-air heat pump system, with convector units discreetly integrated into the wall paneling, according to the design by engineer Alexander Marinov. A particular challenge in the HVAC design was the selection of a ventilation system for the professional kitchen, which had to be integrated into a limited space due to the relatively low ceiling height.

The plumbing and drainage (MEP) design was developed by a Bulgarian engineering team led by engineer Emil Tsanov.

The interior design of the main building was executed using authentic materials and period furniture, based on a design by French designer Jacques Garcia, one of the few specialists licensed to work at the Louvre. The design of the hotel rooms in the auxiliary buildings and the spa center was carried out by the Bulgarian studio VIArchitects.

The complex opened its doors in 2023 and has already secured a place in several prestigious tourism and hospitality rankings, while the restaurant is confidently preparing for its first Michelin stars.

Svestari' tomb

Svestari in a new light – Reconstruction of the Svestari’ tomb

The reconstruction project included the replacement of all building services within the tomb itself, the protective envelope, and the complete renewal of the exhibition areas.

The Sveshtari Thracian Tomb is one of the most recognizable cultural landmarks in Bulgaria and is inscribed on the UNESCO World Heritage List. Its discovery in 1982 by a team led by Assoc. Prof. Dr. Maria Chichikova, together with the construction of the protective dome by a team headed by architect Teofilov and engineer Totev, became one of the most significant events of its time in the fields of archaeology and engineering. Unfortunately, the most recent construction and restoration works prior to our intervention had been carried out as early as 2001 by a team led by architect Petar Stryaskov. Twenty years later, the tomb had reached a pre-emergency condition.

The original climate control system was no longer operational, and the specific microclimate was maintained solely by a mobile unit provided through a donation. The artistic lighting was worn and partially damaged, forcing tour guides to rely on handheld flashlights during visits. The gallery–labyrinth in the antechamber of the burial chamber was in a severely deteriorated state.

Our team was engaged at a moment that can be described as critical. The tomb was at risk of losing a grant from the Ambassadors Fund for Cultural Preservation (AFCP), administered by the Credo Bonum Foundation, and the project had to be executed under a reduced budget and within very tight time constraints.

We consulted architect Stryaskov and the designer of the original HVAC system, engineer Tsvyatko Kadiyski, both of whom agreed to provide pro bono consultancy in order to align the reconstruction with the concept of the most recent design previously developed for the Sveshtari Tomb.

In allocating the available budget, priority was given to the most urgent issues: replacement of the HVAC system and lighting, and reconstruction of the antechamber gallery.

For the design of the artistic lighting, we engaged Sutton Vane Associates, one of the world’s leading lighting design studios. The firm specializes in lighting for art, museums, and the interiors and exteriors of historic buildings, with notable projects including the Chinese Terracotta Army at the British Museum, Winchester Cathedral, the Roman Baths in Bath, York Minster, and many others.

Following a comprehensive analysis, the lighting designers addressed deficiencies in the existing system and, through the use of specially designed luminaires, restored the sense of three-dimensionality of the caryatids. The general lighting scheme was designed to emphasize the burial chamber, while each significant interior and exterior element can be illuminated independently and controlled by the tour guide.

During the reconstruction of the gallery–labyrinth located in the antechamber of the tomb, we largely adhered to the concept developed in architect Stryaskov’s original project. The layout and grid of the display cases were preserved. The metal display structures were removed and replaced with large-scale glass panels mounted on concealed tracks above the suspended ceiling. Some of the panels are operable via sliding mechanisms, allowing access for maintenance and replacement of installations behind them. The content and graphic design of the panels were developed by specialists from the Archaeological Museum in Isperih.

The renovated tomb reopened to the public on 08 June 2022.